Vol. 6 No. 1 (2012): History movies / Transculturalities

View Vol. 6 No. 1 (2012): History movies / Transculturalities

Edited by Margriet Hoogvliet and Sjef Houppermans

Published: 2012-10-11

Editorial

Présentation

Sjef Houppermans

1-2
- PDF (French)
Introduction : French films d’histoire: Contesting France’s National Memory

Margriet Hoogvliet

3-6
- PDF

Haneke’s Caché: A double-edged narrative of remembrance

Désirée Schyns

7-22
- PDF (French)
Le chagrin et la pitié : Chronicle of a French City Under German occupation – history and memory

Marie-Christine Kok Escalle

23-36
- PDF (French)
On Some Returns of M. Chat: Political Historiography in Le fond de l’air est rouge

Jeremy Hamers, Geneviève Van Cauwenberge

37-47
- PDF (French)
A New Alphabet for the Cinema : the Tragic Irony of Napoléon (Abel Gance, 1927)

Peter Verstraten

48-65
- PDF
Distance and Involvement : Visualising History in Patrice Chéreau's La Reine Margot (1994) and in Éric Rohmer's L'Anglaise et le duc (2001)

Margriet Hoogvliet

66-79
- PDF
The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola’s Marie-Antoinette (2006)

Anna Backman Rogers

80-97
- PDF
The Word ‘World’ Is Untranslatable

Emily Apter

98-112
- PDF (French)
The Rhizomatic Identity of Dora d’Istria

Sjef Houppermans

113-125
- PDF
L’identité rhizomatique de Dora d’Istria

Mihaela Chapelan

126-135
- PDF (French)
Debussy and his taste for poetry: The musical representation of Baudelaire’s literary devices

Sander Becker

136-161
- PDF (French)