The female reader-viewer of 'Gone with the Wind' and the eroticization of sexual violence

Authors

  • Anne Grand d'Esnon Université de Bourgogne

DOI:

https://doi.org/10.51777/relief18430

Keywords:

Margaret Mitchell, Gone with the Wind, sexual violence, reception theory, identification

Abstract

Gone with the Wind is at the same time a recurring example among feminists of how rape is eroticized and the embodiment of intense immersive pleasure, which thrives on strong identification with Scarlett O’Hara for its female readers-viewers. Based on real reader-viewer textual responses, the article shows how interpreting the famous staircase scene as rape conflicts with deriving erotic feelings from identifying with Scarlett’s subjective experience. Moreover female reader-viewers see their perception of rape put under scrutiny, or even stigmatized. However, both the feminist critical and the eroticized responses imply a connection between fiction and the reader-viewers’ real world, which explains why the literal interpretation of the scene’s narrative content – is it or is it not rape ? – is pivotal.

Author Biography

Anne Grand d'Esnon, Université de Bourgogne

Anne Grand d’Esnon is a PhD student in comparative literature at the Université de Bourgogne, with Henri Garric as her doctoral supervisor. Her ongoing dissertation project explores how sexual violence is construed in fictional narratives, using a reader-response empirical approach. Her work aims at theorizing interpretive disagreements on whether or not a given fictional sex scene qualifies as rape (hal-03613131v1, hal-03599673v1, hal-03736436v1). In 2019, with Lucie Nizard, she co-organized two workshops on “Desire, consent and sexual violence in literature”. She also worked on rape perception in non-fiction, exploring the reception of Annie Ernaux’s Mémoire de fille (hal-03695862v1). With Anne-Claire Marpeau, she reflected on pedagogical issues raised by sexual violence in literature (hal-01998226v1).

Published

2023-12-14

How to Cite

Grand d’Esnon, A. (2023) “The female reader-viewer of ’Gone with the Wind’ and the eroticization of sexual violence”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 17(2), pp. 170–189. doi: 10.51777/relief18430.