Olivier Deprez and the frontiers of comics

Author(s)

  • Jan Baetens Institut d'Etudes Culturelles KU Leuven

DOI:

https://doi.org/10.18352/relief.212

Keywords:

(Olivier) Deprez, Frémok, Gravure sur bois, Peinture, Performance, Support

Abstract

Contemporary comics are the result of three revolutions: first, in content, which is no longer confined to humor; second, in medium, which has become the book; and third, in techniques, which are no longer reduced to colored drawings. To illustrate the integration of these metamorphoses into a unified artistic practice, we have chosen to analyze the work of Belgian artist Olivier Deprez, who combines comics, woodcuts and performance art, shaping the comics of tomorrow.

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Author Biography

  • Jan Baetens, Institut d'Etudes Culturelles KU Leuven
    Jan Baetens enseigne les études culturelles à l’université de Leuven. Il a publié récemment La novellisation. Du film au livre (Les Impressions Nouvelles, 2008) et codirigé, avec Ari Blatt, un numéro spécial de Yale French Studies sur « Writing and the Image Today » (No 114, 2008).

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Published

2008-11-03

Issue

Vol. 2 No. 3 (2008): The Comic Strip

Section

Troisième partie : Lectures

License

Copyright (c) 2008 Jan Baetens

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

All articles published in RELIEF appear in Open Access under the Creative Commons Attribution 4.0 International License (CC-BY 4.0). Under this licence, authors retain ownership of the copyright of their article, but they allow its unrestricted use, provided it is properly cited.

How to Cite

Baetens, J. (2008) “Olivier Deprez and the frontiers of comics”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 2(3), pp. 381–397. doi:10.18352/relief.212.
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