The female reader-viewer of 'Gone with the Wind' and the eroticization of sexual violence
DOI:
https://doi.org/10.51777/relief18430Keywords:
Margaret Mitchell, Gone with the Wind, sexual violence, reception theory, identificationAbstract
Gone with the Wind is at the same time a recurring example among feminists of how rape is eroticized and the embodiment of intense immersive pleasure, which thrives on strong identification with Scarlett O’Hara for its female readers-viewers. Based on real reader-viewer textual responses, the article shows how interpreting the famous staircase scene as rape conflicts with deriving erotic feelings from identifying with Scarlett’s subjective experience. Moreover female reader-viewers see their perception of rape put under scrutiny, or even stigmatized. However, both the feminist critical and the eroticized responses imply a connection between fiction and the reader-viewers’ real world, which explains why the literal interpretation of the scene’s narrative content – is it or is it not rape ? – is pivotal.
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Copyright (c) 2023 Anne Grand d'Esnon
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