Olivia Rosenthal, the last of the Egyptians. A fetishism between the agentivity of objects and the transitionality of language
DOI:
https://doi.org/10.51777/relief13498Keywords:
Olivia Rosenthal, contemporary literature, documentary literature, material culture, object agentivity, fetish, animal studies, transitionalityAbstract
Olivia Rosenthal's work cultivates savagery and uses animals as both ethical and aesthetic resources. This article would like to use a short text entitled Jouer à chat (2017), published in collaboration with the Musée des Confluences, to question another relationship with animals, made up of passages and transitionality. In this way, the writer goes back in time to reappropriate animist thoughts and requalify language as a source of consolation and exorcism of traumas.
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Copyright (c) 2022 Laurent Demanze
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