Brand images? The illustrations of Cabinet des fées in the 18th and 19th centuries

Author(s)

  • Jonathan Hensher

DOI:

https://doi.org/10.18352/relief.541

Keywords:

Fairy-tales, illustration, Le Cabinet des fées, History of book prices in the XIXth century, Marillier, P-C. (illustrator), Martinet, P. (illustrator), Tob (illustrator), Foulquier, V. (illustrator), Pasini, A. (illustrator)

Abstract

This essay examines a series of editions published between 1823 and 1864 that reissue the title of the famous illustrated fairy tale collection, Le Cabinet des fées (1785-89). By examining the material aspects of these lesser-known editions, in particular their illustrations, it is possible to trace the development of the children’s book market during this period and broaden our view of fairy tale illustration beyond the more famous editions that have until now dominated scholarly attention. Stylistic and thematic changes (in the vision of the fairy “past”, the orientalism trend, the representation of the fantastic), driven by both cultural and technical developments, distinguish the illustrations of these editions from earlier productions. However, there is also a strong "nostalgic" tendency in many of these illustrations, which adopt visual styles from the 17th century and earlier, even though they rarely show the influence of the famous illustrations by Marillier for the 1785 edition.

Downloads

Download data is not yet available.

Author Biography

  • Jonathan Hensher
    Jonathan Hensher teaches in French Studies at the University of Manchester, UK. His research centres on the illustrated book in the XVIIIth and XIXth centuries, focusing on issues of text-image interaction, illustrated book production, marketing and reception, and social practices involving illustrated texts in this period. Recent publications include: ‘Economies of Scale: patterns of gigantism and miniaturisation in late eighteenth-century editions of Orlando furioso’, in Cionescu, Christina (ed.), Book Illustration in the Long Eighteenth Century: reconfiguring the visual periphery of the text (Cambridge: Cambridge Scholars Publishing, 2010), 75-112. ‘Engraving Difference: the representation of the Oriental Other in Marillier’s illustrations to the Mille et une nuits and other contes orientaux in Le Cabinet des fees (1785-89)’, Journal for Eighteenth-Century Studies 31 (September 2008), 377-91. ‘From Innocent to Indecent: eroticism and visual punning in Cochin’s illustrations to Roland furieux’, in Donachie, Sarah and Kim Harrison, (eds), Love and Sexuality: New Approaches in French Studies (Oxford: Peter Lang, 2001), 143-61.

Downloads

Published

2010-12-08

Issue

Section

I. Aux origines du conte de fées français

How to Cite

Hensher, J. (2010) “Brand images? The illustrations of Cabinet des fées in the 18th and 19th centuries”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 4(2), pp. 109–141. doi:10.18352/relief.541.