Kasimir Malevitch’s funeral

Author(s)

  • Olivier Deprez membre du collectif franco‐belge Frémok

DOI:

https://doi.org/10.18352/relief.241

Keywords:

Gravure sur bois, Malevitch, Séquence

Abstract

This variation on Malevich has its origins in the Russian artist’s lithograph entitled Troïé. In this lithograph, a figure can be seen surmounting a comma, turning his back to the viewer and sinking into the white of the page. I used it as the motif for the booklet L’enterrement de Kazimir Malevitch.

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Author Biography

  • Olivier Deprez, membre du collectif franco‐belge Frémok
    Oliver Deprez est membre du collectif franco‐belge Frémok (www.fremok.org). Il est l’auteur de plusieurs ouvrages qui ont renouvelé la technique de la gravure sur bois, dont Le Château, une adaptation très remarquée du roman de Franz Kafka (2003).

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Published

2008-11-27

Issue

Vol. 2 No. 3 (2008): The Comic Strip

Section

Cinquième partie : Créations et documents

License

Copyright (c) 2008 Olivier Deprez

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

All articles published in RELIEF appear in Open Access under the Creative Commons Attribution 4.0 International License (CC-BY 4.0). Under this licence, authors retain ownership of the copyright of their article, but they allow its unrestricted use, provided it is properly cited.

How to Cite

Deprez, O. (2008) “Kasimir Malevitch’s funeral”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 2(3), pp. 465–465. doi:10.18352/relief.241.
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