Poetic mediations in times of confinement: some Belgian and French examples

Author(s)

  • Charlène Clonts Université de Kyushu

DOI:

https://doi.org/10.18352/relief.1094

Keywords:

contemporary poetry, confinement, digital poetry, displayed poetry, oral poetry, exhibited poetry

Abstract

This article assesses the proposals from French speaking poetry contributors in Belgium and France in the age of confinement. It aims at underlining the pragmatic and documentary orientations of the poetical mediations, whilst questioning their novelty and their modalities. The processes, the adaptations and the functions are outlined considering the specific conditions where social life and economic activity are pending.

Author Biography

  • Charlène Clonts, Université de Kyushu

    Charlène Clonts is Associate Professor at Kyushu University (Japan). She has published articles on poetics, spaces and mediations in French language poetry of the 19th‑21st centuries. She is the author of books on Gherasim Luca. Texte, image, son (Peter Lang, 2020)  and Origami, le pli dans les littératures et les arts (Op. cit. journal, 2021).

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Published

2021-05-01

Issue

Vol. 14 No. 2 (2020): The sociology of literary mediation

Section

Articles - thematic dossier

License

Copyright (c) 2020 Charlène Clonts

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

All articles published in RELIEF appear in Open Access under the Creative Commons Attribution 4.0 International License (CC-BY 4.0). Under this licence, authors retain ownership of the copyright of their article, but they allow its unrestricted use, provided it is properly cited.

How to Cite

“Poetic mediations in times of confinement: some Belgian and French examples” (2021) RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 14(2), pp. 150–167. doi:10.18352/relief.1094.