Modernity in Jean Giono: a conflict between accident and excess

Author(s)

  • Mamadou Faye Université Cheikh Anta Diop

DOI:

https://doi.org/10.18352/relief.972

Keywords:

Jean Giono, modernité, contestation, espace, (dés)enchantement

Abstract

The following is a contribution to the debate which focuses on the problematic of modernity. Therefore, it has particularly to do with the question of space’s crisis, space which, in modernity, is virulently connected with technique’s placenta. This crisis results from disappearance of the Virgilian heritage and the blindness which accompanies the division of land into smaller units. Giono’s disenchantment is connected with this problem and his polemical posture towards modernity takes root from his disillusion.

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Author Biography

  • Mamadou Faye, Université Cheikh Anta Diop

    Mamadou Faye est enseignant chercheur en littérature française moderne et contemporaine à l’Université Cheikh Anta Diop de Dakar. Son domaine de recherches est afférent à l’écopoétique ; à la langue française et intégration ; à la langue française et artialisation. M. Faye est l’auteur de plusieurs publications portant sur les fictions littéraires, notamment celles de Jean Giono, Rémy Tissier, Erik Orsenna, entre autres.

     

    Mamadou Faye is a research professor in modern and contemporary French literature at the Cheikh Anta Diop University in Dakar. His field of research is related to ecopoetics; to the French language and integration; to the French language and artialisation. Mr. Faye is the author of several publications on literary fiction, including those of Jean Giono, Remy Tissier, Erik Orsenna, among others.

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Published

2017-12-20

Issue

Section

I. Modernities Contested

How to Cite

Faye, M. (2017) “Modernity in Jean Giono: a conflict between accident and excess”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 11(2), pp. 15–29. doi:10.18352/relief.972.