Great and Small, Marble and Plaster: The Celebrity Carnival in the Nineteenth-Century French Press

Author(s)

  • Jean-Didier Wagneur Bibliothèque nationale de France

DOI:

https://doi.org/10.51777/relief27037

Keywords:

caricature, panthéon, petite presse, rire, satire, storytelling

Abstract

At a time when the press was becoming the primary vehicle for visibility, the satirical and literary « petite presse » occupies an important yet generally overlooked position. Run by a team of writer-journalists, this type of publication is naturally well-suited to reporting on literary and artistic life, especially as repressive legislation (in 1835 and then 1852) quickly forced it to abandon the political fray. The « petit journal » developed a particularly recurrent form: the caricatural biography, which appeared early on and spread throughout the field. It offered writers fame through laughter, underpinned both by storytelling and the creation of a ‘caricatural double’ that took its place in a fictional world in keeping with the imagination of social practices.

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Author Biography

  • Jean-Didier Wagneur, Bibliothèque nationale de France

    Jean-Didier Wagneur (BnF) devoted himself to the creation and development of Gallica from 1992 to 2016. A researcher at the Centre for the Study of French Literature (University of Paris Nanterre) and the Goncourt Team (CRP19, Paris-Sorbonne Nouvelle), his research focuses on bohemian social circles (1830–1900), the « petit journal » (1815–1900), the Goncourt brothers and Gérard de Nerval. Current publications: a critical edition, with Françoise Wagneur, of the complete works of Henry Murger (Garnier) and a literary and cultural history of the « petite presse ». Latest published work: Abécédaire Monselet (Lérot, 2024), co-authored with Valérie André and Paul Aron.

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Published

2026-09-22

Issue

Section

Articles

How to Cite

Wagneur, J.-D. (2026) “Great and Small, Marble and Plaster: The Celebrity Carnival in the Nineteenth-Century French Press”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 20(1), pp. 100–120. doi:10.51777/relief27037.