'Madam', 'sir' : about the narratee’s gender in 'Dieu ne finit pas' and 'Les Onze' by Pierre Michon

Author(s)

  • Baptiste Lefils Université Sorbonne Nouvelle

DOI:

https://doi.org/10.51777/relief18426

Keywords:

Pierre Michon, addressed narrative, narratee, gender

Abstract

In response to the question whether the female reader is a reader like any other, this article analyses the figure of the female reader in the imagination of a male author: Pierre Michon. More specifically, it examines the place of gender in the narrative structure of "Dieu ne finit pas" and Les Onze. Both texts are "addressed narratives" in which a narrator talks with a narratee. This narrative phenomenon allows us to consider the narratee as an image of the interpreter of the text. The hypothesis of this article is therefore as follows: depending on their genre, narratees do not refer to the same representation of reading, to the same "imaginary of reading" (Estelle Mouton-Rovira). Firstly, the gender attributed to the narratee influences its textual properties. Secondly, this gender determines the  posture it adopts about the narrator. Finally, the way Michon represents gender in his texts overlaps with the way he seems to fantasize his readership. In Michon's work, the female reader is a "minuscule" reader, excluded from the world of letters.

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Author Biography

  • Baptiste Lefils, Université Sorbonne Nouvelle

    Baptiste Lefils is currently preparing for the Agrégation of modern literature at Sorbonne Nouvelle University. His thesis project, under the supervision of Maxime Decout (Sorbonne-Université), focuses on the interpretative, cognitive and fictional issues in addressed narratives from the 20th and 21st centuries. Prior to this, he wrote a Master's thesis entitled "Écriture et rêverie dans Notre-Dame-des-Fleurs by Jean Genet and Vies minuscules by Pierre Michon".

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Published

2023-12-14

How to Cite

Lefils, B. (2023) “’Madam’, ’sir’ : about the narratee’s gender in ’Dieu ne finit pas’ and ’Les Onze’ by Pierre Michon”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 17(2), pp. 116–129. doi:10.51777/relief18426.