Teaching science fiction from a political perspective

Author(s)

  • Colin Pahlisch Université de Lausanne
  • Gaspard Turin Université de Lausanne

DOI:

https://doi.org/10.51777/relief17555

Keywords:

science fiction, politics, ideology, classroom, civil rights, democracy, narratology, protopy, literature didactics

Abstract

Literature is not a programme, but an exploration of possibilities. Science fiction (SF), as an exploratory genre, places specific emphasis on these possibilities. One of the ways in which it produces them is by potentialising political thought. Through acts of fiction, it renews our understanding of politics and, to a certain extent, participates in it. By differentiating between “la” politique (instituted, business-as-usual-politics) and “le” politique (which reflects and transforms common trajectories, according to the democratic principle of equality), we will focus on the latter to show its role in teaching, particularly SF. The genre finds its specificity in the fact that the Aristotelian democratic components - the knotting together of the link to the community and the good of the community - are rebalanced in favor of this good, as a projection outside our space-time. Teaching this genre means questioning this knot, but also experimenting with it in the classroom. Using principles inherited from the didactics of literary subjectivity, we will seek to envisage the multiple facets of political expression in the teaching of SF, how to avoid the gridlocks of ideology, and how to reinvest the symbolic space of the classroom: a fertile democratic vacuum, a clandestine margin, a place for experimentation, a 'protopic' opening. Finally, we'll look at the narratological tool as a particularly appropriate way of dealing with the issue.

Author Biographies

  • Colin Pahlisch, Université de Lausanne

    Colin Pahlisch is a doctoral student at the University of Lausanne, attached to the Centre de compétences en durabilité (CCD). He coordinates the new Observatoire sur les Récits et Imaginaires de l’Anthropocène (ORIA). He specialises in conjectural literature (science fiction, utopias, dystopias, extraordinary voyages). His work focuses on the imaginaries and narratives of ecological transition from an eco-poetic perspective. He has published numerous articles and is co-author of a book on the poetics of Alain Damasio, La Croisée des souffles (Archipel, 2013).

  • Gaspard Turin, Université de Lausanne

    Gaspard Turin is a research fellow at the University of Lausanne, as part of the DiNarr SNSF project (Didactics of Narratology) directed by R. Baroni. His work focuses on a contemporary literary and cultural corpus from a didactic perspective, as well as on questions of poetic and esthetic form. In 2017 he published Poétique et usages de la liste littéraire. Le Clézio, Modiano, Perec, (Droz). He is the author of numerous articles, notably on Georges Perec, Marie NDiaye, Édouard Levé, Éric Chevillard, or Michel Houellebecq. He is a regular contributor to journals such as Genesis, Cahiers Perec, Transpositio and Fixxion.

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Published

2023-09-15

How to Cite

“Teaching science fiction from a political perspective” (2023) RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 17(1), pp. 1–22. doi:10.51777/relief17555.