Sophie Bertho, La Peinture selon Proust. Les détournements du visuel, Paris, Classiques Garnier, 2021.

Book review

Author(s)

  • Els Jongeneel University of Groningen

DOI:

https://doi.org/10.51777/relief11450

Keywords:

Marcel Proust, painting, visual arts, Sophie Bertho

Abstract

Book review of Sophie Bertho, La Peinture selon Proust. Les détournements du visuel, Paris, Classiques Garnier, 2021.

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Author Biography

  • Els Jongeneel, University of Groningen

    Els Jongeneel teaches modern French literature and comparative literature in the Department of European Languages and Cultures at the University of Groningen (Netherlands). She has written articles on French literature of the 19th and 20th centuries (autobiography, avant-gardism, Nouveau Roman) and for the past ten years has specialised in the relationship between text and image.

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Published

2021-12-27

Issue

Vol. 15 No. 2 (2021): Intertextualities in the works of André and Simone Schwarz-Bart

Section

Book Reviews

License

Copyright (c) 2021 Els Jongeneel

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

All articles published in RELIEF appear in Open Access under the Creative Commons Attribution 4.0 International License (CC-BY 4.0). Under this licence, authors retain ownership of the copyright of their article, but they allow its unrestricted use, provided it is properly cited.

How to Cite

Jongeneel, E. (2021) “Sophie Bertho, La Peinture selon Proust. Les détournements du visuel, Paris, Classiques Garnier, 2021.: Book review”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 15(2), pp. 208–210. doi:10.51777/relief11450.