How the Slave Trade and the Shoah Gave Rise to a Musical Marvel. An Interview with Jacques Schwarz-Bart
DOI:
https://doi.org/10.51777/relief11444Keywords:
André Schwarz-Bart, Jacques Schwarz-Bart, Simone Schwarz-Bart, Jewish music, Caribbean musicAbstract
Four centuries of the trans-Atlantic slave trade bequeathed enduring legacies of pain and suffering from Africa to the Antilles, not to mention the Americas. Four years of the Holocaust (Shoah, in Hebrew) compressed millennia of persecutions of the Jewish people, with repercussions from Europe to the Middle East. The shockwaves of those two heinous epochs have fused in a most unexpected and artistically creative way, giving rise to the incomparable jazz composer and saxophonist Jacques Schwarz-Bart. In this interview with William Miles, the son of the 1959 Prix Goncourt laureate André Schwarz-Bart and the award-winning Guadeloupean novelist and playwright Simone Schwarz-Bart reflects on his life, inspirations and career.
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Copyright (c) 2021 William B. Miles
This work is licensed under a Creative Commons Attribution 4.0 International License.
All articles published in RELIEF appear in Open Access under the Creative Commons Attribution 4.0 International License (CC-BY 4.0). Under this licence, authors retain ownership of the copyright of their article, but they allow its unrestricted use, provided it is properly cited.