Ti Jean L’Horizon in the age of manga. Interview with Roland Monpierre

Author(s)

  • Kathleen Gyssels University of Antwerp
  • Odile Hamot University of the Antilles

DOI:

https://doi.org/10.51777/relief11443

Keywords:

Simone Schwarz-Bart, graphic novel, adaptation

Abstract

Roland Monpierre is a Guadeloupean artist who wears many hats: he is a comic book author, illustrator and scriptwriter. On the occasion of the forthcoming publication of his comic book adaptation of Ti Jean L'Horizon, Simone Schwarz-Bart's second novel, he spoke with Kathleen Gyssels and Odile Hamot about the circumstances, conditions and challenges of his artistic approach. That Schwarz-Bart's novels lend themselves to adaptation is undeniable: La Mulâtresse Solitude has already been the subject of a comic book version, produced by Unesco in 2015 in a series devoted to the great figures of Africa; Le Dernier des Justes was almost reissued in a lighter version, illustrated with drawings by Marc Chagall, and it is only fair that Ti Jean should find in the person of Roland Monpierre an artist likely to magnify, in another genre and with other means, the eminently visual character of Simone's writing.
After several albums by the best West Indian authors, including Joseph Zobel, or highlighting forgotten figures from Guadeloupe's cultural heritage, such as the Chevalier de Saint-Georges, or focusing on the great names of Caribbean culture, such as Bob Marley, Roland Monpierre has happily devoted himself to this magnificent odyssey based on the West Indian tale and the folkloric figure of Ti Jean. The comic strip thus gives a second wind to the 1979 novel and reaches a different audience, which is probably much more familiar with manga than with novels, and is perhaps even unfamiliar with the great works of Caribbean literature.

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Author Biographies

  • Kathleen Gyssels, University of Antwerp

    Kathleen Gyssels is Professor of Francophone Postcolonial Literature and Culture at Antwerp University, where she teaches classes on authors from the African and Jewish diasporas. Her publications are principally concerned with African American, Caribbean and Francophone authors and subjects from a broad, comparative perspective. Her current research has extended her reach to include conflictual issues, such as the Memory Laws and the Memory Wars in the French Republic and postcolonial countries. She is Coordinator of the Research Group for Postcolonial Literature at the University of Antwerp and an Associate Member of the Institute for Jewish Studies.

  • Odile Hamot, University of the Antilles

    Odile Hamot is a lecturer in modern and contemporary French literature at the University of the West Indies. She devotes her research to the relationship between poetry, philosophy and theology and is also interested in the links between literature and the history of ideas and in the literature of intimacy. She has published Obscur symbole de Lumière. Le Mystère dans la poésie de Saint-Pol-Roux, (Honoré Champion, 2013); edited the collective work Terre(s) promise(s): représentations et imaginaires (Garnier, 2021); and has written articles devoted to Rimbaud, Claudel, Mallarmé, Ernest Hello or André Schwarz-Bart.

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Published

2021-12-27

How to Cite

Gyssels, K. and Hamot, O. (2021) “Ti Jean L’Horizon in the age of manga. Interview with Roland Monpierre ”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 15(2), pp. 117–126. doi:10.51777/relief11443.