Sara Fanelli’s Cendrillon ‘in pieces’

Author(s)

  • Geneviève Guétemme

DOI:

https://doi.org/10.18352/relief.549

Keywords:

Cendrillon, illustration, conte, cartes postales, timbres

Abstract

Sara Fanelli illustrates Cendrillon using a cardboard box, a booklet, eighteen postcards, and stamps. This ‘illustration,’ presented as a ‘treasure box’ that the ‘reader’ can unpack, emphasizes découpage, ‘bulk,’ and fragmented images. How does this object relate to the texts by Perrault and Grimm? Do the images and booklet speak of the same story? Does the fragmentation generate its own ‘magic’? In what way does this illustration question the fairy tale: its narrative, origins, and interpretation?

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Author Biography

  • Geneviève Guétemme
    Geneviève Guétemme : Maître de Conférences en arts plastiques à l'IUFM Centre Val de Loire et rattachée à l’Université d'Orléans. Membre du CRIR – écriture de la modernité (EA 4400 conventionnée CNRS – Paris III).

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Published

2010-12-08

Issue

Vol. 4 No. 2 (2010): The magic of the image: textual and visual images in fairy tales

Section

III. Perspectives contemporaines

License

Copyright (c) 2010 Geneviève Guétemme

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

All articles published in RELIEF appear in Open Access under the Creative Commons Attribution 4.0 International License (CC-BY 4.0). Under this licence, authors retain ownership of the copyright of their article, but they allow its unrestricted use, provided it is properly cited.

How to Cite

Guétemme, G. (2010) “Sara Fanelli’s Cendrillon ‘in pieces’”, RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 4(2), pp. 267–285. doi:10.18352/relief.549.
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